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The ending is a dynamic rather than a static thing – but unlike Anno Hideki I think Esuno-sensei has never wavered in what he wanted the ending to be in essence.
Mirai nikki manga recs series#
It’s fitting, I suppose, that like the series that it so obviously uses as a jumping off point, Evangelion, Mirai Nikki is a story that its author continues to reinvent.
Mirai nikki manga recs tv#
It’s not particularly exceptional in that it’s very much an extension of the TV series itself, and mostly contents itself with depicting a lighter side to the Mirai Nikki universe. I think Redial amounts to an unusual OVA in that it’s most certainly canon, and might even be argued to be indispensable for an authoritative adaptation of the manga. And that brings the story full-circle, to that last manga panel – the one the anime so conspicuously omitted from the end of the TV series.
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The whole point of all this, more or less, is that Yuuno’s love for Yuuki is strong enough to break through the prisons of time and space, and she’s not going to rest until she gets to him – which she does, with some help from Minene (probably the funniest moment of the OVA comes when an exasperated Murumuru scolds Minene to “Pick a side and stick with it!”), quite literally shattering those walls. Meanwhile the dead Third Universe’s Yuuno’s memories are trapped with “her” Murumuru inside a celestial prison of this world’s Murumuru’s design, and Yuuki remains isolated in the Second Universe with only his Murumuru for company, 10,000 years and counting, just as we left him. Yuuno is plagued by memories of a boy she doesn’t know, but remembers. Plot-wise there’s nothing here that differs much from what’s hinted at in the anime finale. Akise, Minene and Bacchus interact with Deus, who’s still looking for a permanent replacement for himself in this world – Bacchus more or less acts as a buffoon, offering suggestions that inevitably lead to his own deification, Akise remains in his observer role and Minene pops back and forth from minding (and breastfeeding) her two kids.
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Kousaka, Hinata and Mao, meanwhile, are something like more exaggerated versions of themselves. Tsubaki is still a Priestess, only this time crushing hard on Akise. Hirasaka Yomotsu runs a souvenir shop promoting his exploits under his super-sentai alter ego. Little Reisuke acts as Akise’s sidekick in a sort of comic detective duo. And Redial focuses heavily – with varying effectiveness – on the slapstick comedy surrounding this Yuuno and her friends in the Third Universe we briefly saw in the original series.Īdditionally, we see some of the other diary holders in quite different contexts here.
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We’re seeing a very different Gasai Yuuno here (which is the whole point), a girl who hasn’t been warped and twisted along with her family into a sick tangle of psychotic rage. Materially, Redial most differs from the original series in tone. I won’t attempt to rehash the incredibly complex story of Mirai Nikki, as I assume you’ll have seen the anime or read the manga if you’re watching this OVA. Which ending you prefer is entirely up to you, but what can’t be argued is that this is closer to the ending that Esuno Sakae himself intended. But it’s Redial which most closely intertwines with the original series, and it does manage to give the anime a measure of completeness that seemed lacking in its absence. In addition to Redial there’s also two short mini-series – the back-story oriented “Mosaic” manga and the “Paradox” manga which re-tells the story with Akise as the protagonist. Mirai Nikki has, in fact, become something of a cottage industry in its own right. What’s interesting is that there’s a Redial manga, too (this OVA shipped with it), but the anime only tangentially overlaps it – the content of the OVA is mostly anime-original, even if the two more or less line up philosophically and end up at the same place. As expected, it all had to do with that “next project” announcement at the end, and what “Redial” amounts to is a fleshed-out version of that epilogue – or rather, how it came to pass. It took a while to get here, but this was always the place Mirai Nikki seemed likely to end up. Well, now we know why Asread elected not to animate the epilogue from the manga. OP: ( Kyouki Chinden) by (Yousei Teikoku)Īt long last, I can finally talk about the manga ending.